Last week we had the distinct pleasure of holding our first-ever Staff Picks Cinema in NYC. Vimeo community members gathered IRL for a screening of some of our favorite Vimeo Staff Picks followed by a Q&A with Keith Ehrlich (director of “The Bike Maker”), Aaron David DeFazio (director of “Top Floor”), Daniella Kahane (writer/producer of “Top Floor”), Mike Rauch (co-director of “Sundays at Rocco’s”), and Maya Millett (Interim Senior Producer for StoryCorps).
Hey NYC, come join us on Wednesday night for some of the planet’s very best videos back to back to back.
Hey, New York! You’re invited to our first-ever Staff Picks Cinema. Enjoy some of the planet’s very best videos back to back to back, with barely a few seconds in between to catch your breath, soothe your stirred soul, and dab away your tears. That’s what we mean by moving images — they’re that good.
If you think Vimeo videos look amazing on the small screen, wait until you see them on the silver screen. Come be moved with us.
RSVP now while tickets are still available! »>
Lost in Manhattan by Gunther Gheeraert
A striking visualization of the unseen connections that bind New York.
What 3 words would you use to describe NYC?
Vimeo HQ is nestled in the bustling metropolis that is New York City, and we couldn’t be prouder of our hometown.
What makes NY such a sweet place to live and work? See for yourself >
(Source: vimeo.com)
We love a good juxtaposition, and “neighborhood” delivers the disparate goods by matching up New York City and Dessau, Germany.
Sundays at Rocco’s by StoryCorps
StoryCorps is back with another animated tear-jerker. In this episode, Nicholas Petron reflects on his grandfather Rocco Galasso, the owner of an apartment building that housed much of his extended family — that is, until the building faced demolition.
New York: Night and Day by Philip Stockton
Day or night, the iconic city of New York bustles with the rhythm of its millions of inhabitants.
Is the Big Apple more beautiful in the sunshine, or when illuminated by twinkling traffic lights? Luckily, Philip Stockton doesn’t need us to choose.
